Statement of Intent for the residency at ARTLAB_LCC I am an installation artist developing site-responsive works that explore how space is experienced through movement, light, and duration, often working at the threshold between interior and exterior environments. My process begins with a reading of a place—its architecture, history, and patterns of use—revealing conditions such as […]
Statement of Intent for the residency at ARTLAB_LCC I am an installation artist developing site-responsive works that explore how space is experienced through movement, light, and duration, often working at the threshold between interior and exterior environments. My process begins with a reading of a place—its architecture, history, and patterns of use—revealing conditions such as […]

Statement of Intent for the residency at ARTLAB_LCC
I am an installation artist developing site-responsive works that explore how space is experienced through movement, light, and duration, often working at the threshold between interior and exterior environments.
My process begins with a reading of a place—its architecture, history, and patterns of use—revealing conditions such as waiting, passage, and transition. Using light, video, sculptural and printed text, found and historical objects, plants, trees, natural light, and stone, I introduce elements that make the boundary between inside and outside more permeable. Many works are
encountered in passing rather than approached directly.
A significant part of my practice has unfolded in public and infrastructural settings, including railway environments and other transitional urban sites. Circulation, daylight cycles, and unplanned encounters shape how the work is experienced. Sunlight, projections, vegetation, and material fragments interact with architectural structures so that interior and exterior conditions overlap, allowing the installation to reveal itself gradually through changing light, weather, and the movement of people nearby.
As I complete my art PhD at the Bauhaus-Universität, this residency offers the opportunity to translate these approaches into gallery contexts. During the program, I plan to develop a group of video works, photographic series, and installations that translate spatial situations associated with transit, waiting, and thresholds between inside and outside into exhibition formats, maintaining their relationship to light, duration, and the viewer’s navigation through space.